Hot Best Seller

The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion and Internet Animators

Availability: Ready to download

The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit? Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit? Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story. Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.


Compare

The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit? Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy The definitive book on animation, from the Academy Award-winning animator behind Who Framed Roger Rabbit? Animation is one of the hottest areas of filmmaking today--and the master animator who bridges the old generation and the new is Richard Williams. During his more than forty years in the business, Williams has been one of the true innovators, winning three Academy Awards and serving as the link between Disney's golden age of animation by hand and the new computer animation exemplified by Toy Story. Perhaps even more important, though, has been his dedication in passing along his knowledge to a new generation of animators so that they in turn could push the medium in new directions. In this book, based on his sold-out master classes in the United States and across Europe, Williams provides the underlying principles of animation that every animator--from beginner to expert, classic animator to computer animation whiz --needs. Urging his readers to "invent but be believable," he illustrates his points with hundreds of drawings, distilling the secrets of the masters into a working system in order to create a book that will become the standard work on all forms of animation for professionals, students, and fans.

30 review for The Animator's Survival Kit: A Manual of Methods, Principles, and Formulas for Classical, Computer, Games, Stop Motion and Internet Animators

  1. 5 out of 5

    Danielle The Book Huntress (Back to the Books)

    I read this for my Basic Animation class. I wouldn't say I read every page, but enough that I will count it. It's mainly illustrations but that's probably the best learning tool for this subject. Mr. Williams clearly knows his stuff when it comes to animation. He worked with all the greats, including the Old Men of Disney and he knew some of the other greats like Tex Avery. This is a must for animation students and those who want to explore the technical side of animation, and it's a good I read this for my Basic Animation class. I wouldn't say I read every page, but enough that I will count it. It's mainly illustrations but that's probably the best learning tool for this subject. Mr. Williams clearly knows his stuff when it comes to animation. He worked with all the greats, including the Old Men of Disney and he knew some of the other greats like Tex Avery. This is a must for animation students and those who want to explore the technical side of animation, and it's a good reference text for would-be animators, even if you don't officially take classes.

  2. 4 out of 5

    Bert

    After reading this, I quit my job and went back to school to learn all about animation! Interesting, up-to-date, "complete" and very useful guide.

  3. 4 out of 5

    Fatine

    This book has a great deal of Richard Williams in it and it's absolutely amazing. Of course it does a fine job explaining all the notions necessary to grasp the basics of animation but ultimately, what makes it so enthralling to read is getting to enjoy Richard's perception of the craft and see it manifest through the pages. This is especially true if one gets the chance to watch the accompanying DVDs while reading the book. Warm and mellow in its speech but unmistakably driven and passionate, This book has a great deal of Richard Williams in it and it's absolutely amazing. Of course it does a fine job explaining all the notions necessary to grasp the basics of animation but ultimately, what makes it so enthralling to read is getting to enjoy Richard's perception of the craft and see it manifest through the pages. This is especially true if one gets the chance to watch the accompanying DVDs while reading the book. Warm and mellow in its speech but unmistakably driven and passionate, The Animator's Survival Kit is both an excellent guide and a beautiful celebration.

  4. 4 out of 5

    Katelyn Jenkins

    ULTIMATE BOOK ON ANIMATION. iF YOU WANT TO BECOME AN ANIMATOR, THIS IS practically available everywhere. :) Just get it! Just practice it! Get good doing your great! This book is the only of it's kind, thank you to Richard Williams, I will forever be reading this.

  5. 4 out of 5

    Sabine Terky

    This book is a must-read for anyone interested in learning animation. I always refer back to it while working. Priceless tips by an animation mastermind.

  6. 4 out of 5

    Anna Dale

    Full of beautiful and helpful illustrations! There's so much information, I almost want to reread it so I can reinforce what I've learned.

  7. 4 out of 5

    Jere

    I doubt I'll ever become an animator but I sure did learn a lot from this book! And now I appreciate more the effort that goes into making animations. Can't say I enjoyed the whole journey, though. For someone studying the subject or working in the business the book is surely a gem, but a layman like me might find the countless pages on 'how to make a character walk' quite a slog to go through... I totally recommend this book to anyone who has even the slightest dream of becoming an animator.

  8. 4 out of 5

    Diana Habashneh

    excellent reference. i also recommend watching the videos for more understanding

  9. 4 out of 5

    Aja

    While I have not gotten into animation (at least not yet), this book really gives me a great wealth of information for what to expect. Not just for animation, but for great animation. It's absolutely mind blowing of the compilation of advice from not only the author himself, but of other animation veterans of different studios spelling it out for anyone who reads this. I remember a friend of mine from school saying that doing traditional hand drawn animation was insane because of the countless While I have not gotten into animation (at least not yet), this book really gives me a great wealth of information for what to expect. Not just for animation, but for great animation. It's absolutely mind blowing of the compilation of advice from not only the author himself, but of other animation veterans of different studios spelling it out for anyone who reads this. I remember a friend of mine from school saying that doing traditional hand drawn animation was insane because of the countless drawings you have to draw. He's not wrong. Yet, I'd be that insane person who's still interested in doing it after reading this book!

  10. 4 out of 5

    Gvantsa Tandilashvili

    An important book for animators and animation enthusiasts. This has been a useful and faithful tool for me as an animator. I often refer to it. There's information on the different cycles and variations of them such as run, walk cycles. Learned so much about arcs, acting, body language, twinning, facial expressions, lip sync, etc. Everything is broken down and explained through pictures, drawings, and written explanations in a way that is fun and engaging. There is a lot of information geared An important book for animators and animation enthusiasts. This has been a useful and faithful tool for me as an animator. I often refer to it. There's information on the different cycles and variations of them such as run, walk cycles. Learned so much about arcs, acting, body language, twinning, facial expressions, lip sync, etc. Everything is broken down and explained through pictures, drawings, and written explanations in a way that is fun and engaging. There is a lot of information geared towards 2d animators however many of it translates over to 3d animation. Also enjoyed the history and insight into the industry.

  11. 5 out of 5

    Koen Crolla

    Williams is obviously working from a very specific tradition of animation and targets people who animate in a studio context rather than people who want to do it on their own, but most of the advice here translates and only some of it is clearly bad (like the stagger vibration thing; it's certainly true that that is/used to be a very common way of doing it, but the only reason I know that is because it stands out like a sore thumb every single time). I just don't understand why every man in Williams is obviously working from a very specific tradition of animation and targets people who animate in a studio context rather than people who want to do it on their own, but most of the advice here translates and only some of it is clearly bad (like the stagger vibration thing; it's certainly true that that is/used to be a very common way of doing it, but the only reason I know that is because it stands out like a sore thumb every single time). I just don't understand why every man in animation has to be a piece of shit.

  12. 4 out of 5

    Julia Milius

    More pictures than text, reading through this book helped prepare me to succeed in my animation class. I was able to add tips and tricks from the book that helped set my animation a level above other first time animators in the class. Hearing the many approaches of animators gave me confidence in trying out new and different ways of animating. While one shouldn't include a walk cycle in their portfolio, one does need to excel at a walk cycle in order to achieve better animation.

  13. 4 out of 5

    Rachel Corey

    This is actually my favorite book of all time (no, like, really, this is the one book I would read for the rest of my life if forced to pick one) so I'm surprised I haven't reviewed it yet?! How to even begin to describe how wonderful and useful Williams' wisdom and drawings are? Just read it. You won't regret a second of it.

  14. 4 out of 5

    Dave Woodward

    This is a great book on learning to execute very commonly used techniques in animation. Although I never practiced anything the book taught me, it has given me a much desired dose of knowledge on how many of my favorite 2-D animated films were made.

  15. 4 out of 5

    Zambrano

    I just finished it for the same week and i really enjoyed it. I loved how at first the storylines didn't seem to have anything to do with each other but slowly details were revealed to show how they are all connected.

  16. 4 out of 5

    Alex Perez

    This book breaks down how the pioneers of animation created and honed the classic movement style of the 30's and 40's. Easy to follow and fun to read, with tons of reference illustrations on just about every page.

  17. 5 out of 5

    Soha

    Probably the best book out there for animators who are looking for animating tips.(specially beginners) Great book i thank Mr Richard Williams for this great book and sharing his experiences with the world Probably the best book out there for animators who are looking for animating tips.(specially beginners) Great book i thank Mr Richard Williams for this great book and sharing his experiences with the world🙏🏼

  18. 4 out of 5

    Siann

    THIS Lovely ginormous book was gifted to me by my brothers girlfriend. and it was what I wanted for so long. THANKYOU!!!! I have to say it gives you the basics of practically everything to do with movement, proportion, body language, facial expressions. This is really helpful.

  19. 4 out of 5

    Sarna na Kiju

    Ok, I didnt manage to finish it, but Ive read around 260 pages and I've stopped because I feel I am not at a proper level to actually proceed the book. I will continue reading it, its really good and helpful. :) Do yourself a favor and read it if you want to animate.

  20. 4 out of 5

    Ina

    This book always blows my mind. The amount of knowledge Richard Williams had and to sit down and document all of that is astonishing to me. An absolute must have if you are doing animation.

  21. 4 out of 5

    Clara

    Great starting point for beginners.

  22. 4 out of 5

    Waqar Ali

    This review has been hidden because it contains spoilers. To view it, click here. It's a good book

  23. 4 out of 5

    LivThebooks

    Wow wow wow. I learnd so much! Im definitely going to use this when I practice animation. Great book for anyone interested or studying animation

  24. 5 out of 5

    David Parker

    Incredible. I'll never look at animation the same.

  25. 5 out of 5

    Forest Gamble

    Great reference guide for animators and animation enthusiasts!

  26. 4 out of 5

    Denver

    A good startup book for animators

  27. 5 out of 5

    Kirsten

    Oh neat! This is on here! lmao 500/5 excellent to read through and reference eternally.

  28. 4 out of 5

    harsan81

    Magnificent! I learned a lot from this book! It's a must have and read for any animation professionals, student, hobbyist, or enthusiast!

  29. 5 out of 5

    Jakob Christensen

    The first book to get as an aspiring animator. Amazing value and fun to read.

  30. 5 out of 5

    Link Starbureiy

    This is a tough 5 star rating (I'm bias towards American classical techniques), but it is considered a bible in the field for a reason. A must have for a student's library.

Add a review

Your email address will not be published. Required fields are marked *

Loading...
We use cookies to give you the best online experience. By using our website you agree to our use of cookies in accordance with our cookie policy.